Audio Cables Cables

Cables for audio signal transmission (optical, RCA, 3.5mm, XLR).





  • 3.5mm TRS Stereo Audio Cable

    3.5mm TRS (Stereo Audio) → 3.5mm TRS (Stereo Audio) · Analog Stereo Audio · 10m

    The 3.5mm TRS Stereo Audio Cable is the standard aux cable for analog stereo audio. Connects headphones, speakers, car stereos, and any device with a 3.5mm jack. No digital processing — pure analog audio with zero latency. Cable quality matters for lengths over 3m — look for shielded cables with gold-plated plugs.

  • 5-pin DIN MIDI Cable

    3.5mm TRS (Stereo Audio) → 3.5mm TRS (Stereo Audio) · Analog Stereo Audio · 10m

    MIDI cables connect synthesizers, drum machines, and audio interface MIDI ports in a unidirectional chain — MIDI OUT to MIDI IN. Despite five pins, only three carry signal. MIDI is 31.25 kbps, so cable quality barely matters at typical lengths. Standard lengths are 1.5m, 3m, 5m, and 7.5m. Practical maximum is approximately 15m before signal…

  • 6.35mm TRS to 6.35mm TRS Balanced Audio Cable

    3.5mm TRS (Stereo Audio) → 3.5mm TRS (Stereo Audio) · Analog Stereo Audio · 10m

    This cable connects audio interface balanced TRS outputs to studio monitors with TRS inputs (KRK ROKIT, Yamaha HS5/HS7, Adam Audio). The 6.35mm TRS connector carries a balanced signal: tip (+), ring (-), sleeve (ground). Common lengths for studio use are 1m, 2m, and 3m. Ensure the cable is TRS (3-conductor), not TS (2-conductor instrument cable)…

  • Coaxial S/PDIF Digital Audio Cable (RCA)

    3.5mm TRS (Stereo Audio) → 3.5mm TRS (Stereo Audio) · Analog Stereo Audio · 10m

    Coaxial S/PDIF connects Blu-ray players (Panasonic DP-UB820, Sony UBP-X800M2), game consoles, and CD players to AV receivers and soundbars for PCM or 5.1/7.1 Dolby Digital / DTS surround. The cable looks identical to analog RCA but requires 75-ohm impedance. Standard RCA cables (25-50 ohms) often work at short distances but may cause jitter or dropouts…

  • Optical TOSLINK Audio Cable

    3.5mm TRS (Stereo Audio) → 3.5mm TRS (Stereo Audio) · Analog Stereo Audio · 10m

    The Optical TOSLINK Audio Cable carries digital audio over fiber optic — immune to electrical interference. The most popular cable for connecting a TV to a soundbar. Supports compressed 5.1 surround (Dolby Digital/DTS) and 2-channel PCM stereo. Cannot carry lossless Dolby Atmos or DTS:X — for that, use HDMI eARC.

  • RCA Phono Cable with Ground Wire (Turntable Cable)

    3.5mm TRS (Stereo Audio) → 3.5mm TRS (Stereo Audio) · Analog Stereo Audio · 10m

    Standard RCA cables cannot substitute for a turntable phono cable in most setups because cartridges output extremely low-level signals (2-5mV for moving magnet) highly susceptible to interference. The separate ground wire connects turntable chassis to preamp chassis, eliminating hum. Turntable phono cables also have specific capacitance requirements (100-200 pF/m) — high-capacitance cables roll off high…

  • RCA Stereo Audio Cable (Pair)

    3.5mm TRS (Stereo Audio) → 3.5mm TRS (Stereo Audio) · Analog Stereo Audio · 10m

    The RCA Stereo Audio Cable (Pair) carries two channels of analog audio — left (white) and right (red). A home theater staple since the 1970s for connecting turntables, CD players, receivers, and soundbars. Pure analog with zero processing delay. No surround sound — stereo only. For digital audio, use optical or HDMI.

  • XLR Female to 6.35mm TRS Balanced Audio Cable

    3.5mm TRS (Stereo Audio) → 3.5mm TRS (Stereo Audio) · Analog Stereo Audio · 10m

    This cable connects XLR-output gear to TRS-input equipment or vice versa — both ends carry balanced signals, so signal integrity is maintained end-to-end. Commonly used to connect audio interface XLR outputs (Focusrite Scarlett, Universal Audio Apollo, SSL 2+) to studio monitors with TRS inputs (KRK ROKIT series). This is not an adapter — the cable…

  • XLR to XLR Balanced Audio Cable

    3.5mm TRS (Stereo Audio) → 3.5mm TRS (Stereo Audio) · Analog Stereo Audio · 10m

    XLR balanced cables connect audio interfaces to studio monitors, microphones to preamps, and stage gear to mixers. The balanced differential signal rejects electromagnetic interference, making long runs practical without hum or noise. Common lengths are 1m, 1.8m (6ft), 3m (10ft), and 7.5m (25ft). For studio use, 24 AWG star-quad construction (Mogami W2534, Canare L-4E6S) offers…

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